Red Moon

[Kriven]

Page One: some kind of dark image, up to the artist. Just make sure the words "RED MOON CHAPTER ONE" are in it.

Page Two:
Panel One: Eric is in the hallways of his school and talking to his unnamed friend.
Friend: There's rumors that vampires are stalking the streets at night.
Eric: Vampires, huh?
Friend: Yeah, several people were found lieing in the street with the blood completely drained from their bodies.
Panel Two: Still walking and talking.
Friend: The police haven't released any information, but witnesses reported seeing two puncture holes on the victims, generally on the neck.
Eric: And it didn't occur to you that confused witnesses might be an unreliable source?
Friend: I think they're more reliable then the police...
Panel Three: Arriving at classroom
Eric: If you saw dead people and had the oppurtunity to get yourself on the news with a ridiculous story, what do you think you would do?
Panel Four: Friend stops to think for a moment.
Friend: Well, I guess I'd make up something...
Panel Five: Entering classroom.
Eric: Besides, everything you talk about is vampire this and werewolf that, it can't all be true.
Friend: Are you implying I'm obsessive?
Eric: Why yes, yes I am!

Page Three:
Panel One: Eric is walking home from school on his own (just show him walking down a sidewalk.)
Eric: Huh?
Panel Two: Eric looks ahead to spot a cloaked person nearly collapsing into the street.
Panel Three: Eric starts walking over towards the cloaked person.
Eric: Hey! Are you alright?
Panel Four: Cloaked figure looks towards Eric, face obscured by the shadow of their hood.
Panel Five; Cloaked figure starts running unsteadily away from Eric.
Panel Six: Eric runs to catch up with them.
Eric: Hey! Wait!

Page Four:
Panel One: Cloaked figure stumbles and collapses to the ground, uncounsious and fatigued.
Panel Two: Eric slows down as he approaches the cloaked figure.
Eric: ...
Panel Three: Eric bends down to pick up the cloaked person.
Panel Four: Eric begins to walk away, carrying the cloaked figure over his shoulder as the hood falls away.
Panel Five: Zoom in on Aerin's uncloaked face, including her un-retracted fang.
Panel Six: Zoom up of the fang.

Page Five:
Panel One: Aerin begins to awake.
Panel Two: She opens her eyes!
Panel Three: She realizes she's not in the streets, and juts upward in alarm.
Panel Four: Only to find herself on a couch with a blanket thrown over her.
Panel Five; She looks around for a moment.
Panel Six: She notices Eric sitting in a chair (offscreen, though I imagine this panel showing at least his arm or leg on the side.)
Aerin: You...

Page Six:
Panel One: Aerin reaches up and places a finger where her fang should be.
Eric (offscreen): It retracted shortly after I brought you in...
Panel Two: The stare at each other for a moment, Aerin in confusion and Eric studying her.
Panel Three: whatever thoust wantseth to draw.
Eric: What are you?
Panel Four: Aerin starts answering Eric, but begins to feel sick and dizzy.
Aerin: I'm... wogh...
Panel Five: Eric gets up and starts to cross the room towards her.
Eric: Are you alright?

Page Seven:
Panel One: Aerin starts to fall off the couch bu Eric catches her and props her up.
Aerin: I'm... so hungry....
Panel Two: Lalalala, whatever the artist prefers to draw.
Eric: I can find you something if you're...
Panel Three: Aerin shakes her head.
Aerin: No... I...
Panel Four: Without more warning, Aerin throws herself at Eric and bites down on his neck.

Page Eight:
Panel One: Eric is shocked, mostly from the pain of Aerin's fangs burrowing into his neck.
Panel Two: Eric overcomes the shock and places his hands on her back.
Eric: Just don't kill me.
Panel Three: Aerin continues to drink...

Page Nine:
Panel One: Meanwhile, Eric's brother Isaac is walking through the crowded streets downtown. His hands stuffed in the pockets of his unzipped jacket, he spots something of interest off-screen.
Panel Two: What he spotted was a person who's face is hidden by the shadow of his sweatshirts hood. The person is making his way through the crowded streets towards a dark alley.
Panel Three: Cautiously, Isaac follows the person. The night is growing cold, and his breath escapes his mouth in thin clouds. His back is pressed against the wall of the alley. Half the panel will show Isaac leaning against the wall, the other half shows the alley growing darker and the barely visible silhouette of the hooded person.
Panel Four: Isaac peers around the corner very slightly, only half his face gazing around the wall.
Panel Five: The alley is empty, save for the dumpster pressed against one of the brick, graffiti covered walls. And the ripped sweatshirt of the person, which lies in a beam of ominous moonlight.

Page Ten:
Panel One: Curiously Isaac approaches the sweatshirt, stopping just as he reaches where it lies on the ground. This panel is tall, showing Isaac's full-body, the sweatshirt lieing at his feet, and the darkness behind him.
Panel Two: Isaac's eyes widen as a large, beastly silhouette appears behind him.
Panel Three: A close-up of the wolf's mouth, which has it's lips curled back in a snarl that reveals it's pointed canine teeth.
Panel Four: Isaac spins around, his mouth hanging open to scream but without a sound, his eyes wide in fear.
Panel Five: The werewolf leaps into the air towards Isaac, it's forearms reaching infront of it.

Page Eleven:
Panel One: Suddenly a splash of blood bursts up from the wolve's back.
Panel Two: The beast falls at Isaac's feet, a puddle of it's blood forming around it. Isaac stares ahead, scared and ready to turntail and run back into the alley.
Panel Three: The middle-aged and suit-wearing Gregory stands at the entrance to the alleyway. His gun is pointed towards the ground now, though both hands still clutch it tightly. He watches Isaac for a moment as he catches his breath.
Panel Four: Isaac, still startled by everything that has happened and the speed at which the events occurred, stutters to answer the question.
Gregory (off-screen): What's your name?
Isaac: I-Isaac Ste-Sterlite, sir!
Panel Five: Gregory continues watching Isaac, with an unchanged expression.
Gregory: Well, Isaac. Go home. Forget you saw this.
Panel Six: Isaac nods hesitantly, a look of shock still on his face.

Page Twelve:
Panel One: Isaac walks past Gregory, who follows his every movement, turning as Isaac passes.
Panel Two: Isaac runs through the crowded streets, rushing to get home quickly.
Panel Three: Gregory is standing in the alley still, now putting his handgun into his jacket pocket.
Gregory: Martin, can you see the kid from the van?
Martin (Off-screen, speaking to Gregory through a hidden communication device): Yeah... what about him?
Panel Four: Gregory begins leaving the alley, walking into the lamp-lit and still-crowded streets.
Gregory: He said his name was Sterlite. I want you to follow him.
Panel Five: Martin's black hair shines as he smiles excitedly behind the steering wheel of a large van. He shoves the van's gearshift and presses the gas. You see this shot from inside the van.
Martin: Alright! I won't let him out of my sight!

Page Thirteen:
Panel One: Aerin wipes her mouth with her hands, an expression of insecurity across her face.
Aerin: I-I'm sorry... I'm a...
Panel Two: Eric places a hand on his neck where Aerin had previously been drinking his blood. A slightly pained expresion on his face that he tries to cover with a reassuring smile. Small drips of blood leak out from under his fingers.
Eric: A vampire?
Panel Three: Aerin stares at the floor, avoiding eye contact with Eric.
Aerin: Not exactly...
Panel Four: Eric looks confused.
Eric: Not.. exactly?

Page Fourteen-Fifteen:
Panel One: The only panel. A large shot showing seven of the eight (Koda isn't there) Wolfites in their wolf states on a massacre at the lab they escaped from. Several scientists are torn to shreds, their blood coating the floor and soaking the fur of the wolves. Vincent looks as if he is about to devour the readers POV.
Aerin Narration Box One (Upper left corner): I'm called a Wolfite...
Aerin Narration Box Two (Connected to the bottom of the first): ...A monster without a natural purpose...
Aerin Narration Box Three (Bottom Right Corner): ...My brothers and sister, like myself, rely on human blood to sustain ourselves.

Page Sixteen:
Panel One: This panel takes up the width of the page, with no panels next to it. Aerin still looks at the floor and Eric looks at her, trying to think of something to say.
Panel Two: When suddenly without warning a window in the other room is shattered. This panel show the window being destroyed.
Panel Three: Eric stands, startled by the noise.
Eric: What was that?
Panel Four: Eric looks in the direction of the other room, which is connected to the current room by a doorway with no door. On the wall passing through the doorway into this room is the shadow of a large beast.

Page Seventeen:
Panel One: Aerin still looks glumly at the floor.
Aerin: It's my siblings, they've come to find me...
Panel Two: The snout of one of the creatures passes through the doorway, just enough so that you can guess at what it is.
?'s Snout: Sister Aerin, I know you're in there. Why don't you stop running and come home with us? Is that human I smell? Delicious! Did you get hungry? I hope you saved me some.
Panel Three: Aerin stands up, shoving Eric away.
Aerin: Y-you have to run!
Eric: But-!
Aerin: You might live if you run!
Panel Four: The shadow of another wolf creature appears from behind Eric, a dark silhouette with glowing eyes.
: But there's no where for him to run!

Page Eighteen:
Panel One: Half the page, shows the creature the snout belongs to. This is Edgar, the Wolfite behing Eric being Allan. Eric and Aerin now stand back to back, each one facing one of the Wolfites, who close in on the two with hellish grins.
Panel Two: A close-up of Aerin's face, which is sweating in terror and worry for her new friend, her new blood bag (heh, author humor at it's worst.)
Panel Three: Just a shot of the wall and the cieling which can be decorated with whatever you want to decorate the wall with. Perhaps some fancy wallpaper?
Offscreen Voice: Wolfite scum! The human belongs to us!

Page Nineteen:
Panel One: Three werewolves crowd this screen. They stand tall and on hinds, vicously preparing to destroy the first thing that leaps at them.
Panel Two: Edgar speaks to Allan while not taking his eyes off the Wolves, though his back is turned to Eric and Aerin.
Edgar: Look who wants to play Allan, our cousins have come to pay us a visit!
Panel Three: Another larger panel, this one shows the three wolves leaping at Edgar and Allan, who are leaping towards their new enemies. Both teams of wolves are ready to kill, claws ready to slice. Edgar and the lead Wolf have already made contact, with Edgar slashing at the leads face, causing the lead to turn his head to the side and towards the POV. Three slash marks across it's furry face and blood is in the air. Meanwhile, Aerin and Eric are ducking away from the chaos.

Page Twenty:
Panel One: Isaac is running through the rain (a storm has started since we last saw our friend. It's dramatic.) He tries to shield his face from the rain, but from his expression you can tell that a lot of water is still getting at him.
Panel Two: The boy stops, before him is his home, windows and doors destroyed and five werewolves standing. They are looking at the house, and don't bother turning around.
Panel Three: Napoleon stands behind Isaac, though he doesn't notice. Napoleon is a larger werewolf, whom stands very erect and proper, his arms behind his back. He wears a scarf around his neck.
Isaac: W-what is this? Is this a nightmare?
Panel Four: Isaac turns around, extremely frightened by the voice of Napoleon who is speaking to him.
Napoleon: I'm afraid not, child. Tell me, are you the brother of the poor boy inside this home?
Panel Five: This panel is blackness.... and blood... and the words "End Chapter" somewhere. Make the "End Chapter" artistic, it will be used for every End Chapter throughout the story.

[Kriven]

Page One: A cool drawing of the artist's choice. Just make sure "CHAPTER 2" appears on the page in cool text.

Page Two:
Panel One: Eric and Aerin have escape the house through the backdoor, which is seen hanging open in the background. The two are running through Eric's backyard, splattering mud with every step and shielding themselves from the rain. One of the ordinary werewolves, whom is seen in the background, takes notice of the two.
Panel Two: A shot of the wolf from the shoulders up. He smirks and his eyes gleem. The reward for victory will be his! He twists as he turns around to give chase.
Panel Three: Aerin and Eric running at a side view. Aerin is closer to the POV, and you can't see much below her shoulders. Eric is further away from the POV and you can see more of his body. Both are breathing heavily, which means some "huff" sound effects are in the air.
Panel Four: A zoom up of Aerin's face with her eyes now pointing behind her. She wears a now startled expression.
Panel Five: The wolf is chasing the pair. From the way his legs are bent, you can tell that he's about to leap into the air to strike somebody.

Pages Three and Four:
Panel: These pages consist of a large panel that fills the two pages, with two smaller panels. One in the top left corner of the third page, and one in the bottom right of the fourth page. The big panel displays Aerin spinning around, as the wolf is in the air descending upon her. Her sleeve is bunched up towards her shoulder, and what was once a human arm is now a furry arm with claws on the end. A large "SWF!" sound effect carries over the page, the noise made in the wind from her abrupt turn.
Aerin: GO! IT'S TOO DANGEROUS FOR HUMANS!
Upper Left Panel: A small panel showing Eric's face, shocked at Aerin's sudden movements and her arm.
Lower Right Panel: A panel resembling the Upper Left one. Eric's face again, this time his eyes shut tightly and his teeth gritted together. His expression is one of frustration and concern. He knows that Aerin is right, and the fact gravely bothers him.

Page Five:
Panel One: Martin pulls up near the Sterlite residents, his expression of calm relax is changed in a panel split to one of shock.
Panel Two: Seen as if you were sitting in the backseat of Martin's car, you can see the horde of wolves that have descended upon the home. Most notable of all is Napoleon, towering above the rest and still standing erect, arms behind his back. Blood stains the ground before him, but no sign of Isaac's body is seen. Martin is frightened enough to shudder.
Panel Three: Shot from below, so we can see Martin's legs closest to the POV, and maybe his shoes. His arms are held downward, as he loads a handgun with a clip. Cold sweat has broken out over his shaking body.
Panel Four (takes up the bottom portion of the page): A back shot of Napolean. His ears perk up as he hears a noise behind him, and his head is slightly turned so that he may see. His eyes are drawn backwards, as he attempts to peer behind him.
Sound Effect (From the space behind Napolean): Clck.
Napolean: Huh?

Page Six:
Panel One: Martin stands outside his car, gun pointing towards the POV. He is still scared greatly, and some sweatdrops can be seen.
Panel Two: Martin is in the background, his eyes are tightly shut and the gun is lifted upwards, it has been fire. Smoke rises into the air from the blast. Napolean, near the right-hand portion of the panel and closer to the POV, is turning around at the sound of the bullet. Shock is seen on the Wolfen Commander's face.
Panel Three: A shot of Martin from the upper neck upward. His face shows obvious signs of panic, his mouth agape and his eyes wide open. Sweat drips off his face.
Panel Four: Just a shot of the ground and Martin's legs and feet. His feet are dangling just above the ground, with his toes pointing straight downward.

Page Seven:
A full panel shot of Napolean lifting Martin into the air. Trees are seen in the background, the storm clouds giving them a shadowy appearance. Rain splashes onto the ground of dirt and rock. Only one of Napolean's arms are needed to hold Martin in the air, and the claw attatched to this arm is wrapped tightly around Martin's neck. Martin's arms are brought upward, trying to loosen Napolean's grip on his neck. Napolean's other arm is bent back, palm facing Martin, claws and fingers spread.

Page Eight:
Panel One: Napolean's claw is thrust into Martin's gut. The shot is looking upward from behind Napolean, and at Martin's face which is riddled with pain and agony. You don't directly see Napolean's claw, but you see enough of his arm and shoulders to tell what's going on. Plus his fur and Martin's clothes are now stained with blood.
Panel Two: A zoom up of Napolean's face, which is covered in Martin's blood. The left portion of the screen is blocked by Martin's body. Napolean's eyes look upwards, to see Martin's pained face.
Napolean: You chose the wrong battle.
Panel Three: A shot similar to Page Six Panel Three, except you see the lower portion og Martin's neck, with Napolean's claw tightening it's grip. Trickles of blood run over the wolf's furred claw. Martin's eyes are now closed from the immense pain, and his teeth are grit together.
Sound Effect: Krk!
Panel Four: The trees of the forest that surrounds the Sterlite residence. They have the same shadowy look as the one from Page Seven. Blood spurts upwards from off panel. The moon can be seen every so slightly through the rain clouds.

Page Nine:
Panel One: A taller panel, spanning the height of the page. It shows Eric's backside, as he stands before a large tree. He's trying to catch his breath. The rain has drenched him, his clothes are pushed closely to his body.
Eric (Sound Effect): Huff. Huff.
Panel Three: This panel is the top of a column of three panels. This one shows a thick section of bushes and leaves rustling. It's still raining, though not as heavily since the plant life blocks most of the rain itelf.
Sound Effect: Fssh.
Panel Four: The middle of the column. Eric spins around in alarm at the sound of the moving branches. This shows him from slightly below the shoulders upward, spinning to look behind him.
Eric: Huh?!
Panel Five: The bottom of the panel column. This panel is a zoom in of Eric's eye, which is suddenly shot open in surprise.
Panel Six: Another page-tall panel. A bloodied Aerin (in her human state) emerges from the foliage. She is covered in scrapes and bruises, her clothes are tattered, muddied and bloodied. Her hair is a mess, and a large gash is cut across her chest. It's impossible to tell which blood is hers and which is the beasts.
Eric (Off-Screen): AERIN!!

Page Ten:
Full page panel. Gregory stands before the limp body of the werewolf that chased after Eric and Aerin. The body is bloody and beat, and closer to the POV then Gregory. The angle should be looking up at Gregory, so you can see the sky behind him. A strong gust of wind blows by, rustling Gregory's clothes and hair. He is looking down at the dead body.
Sound Effect (in background): WHSSSHHHHH

Page Eleven:
Panel One: A larger panel, taking up a whole left-to-right of the page, and a good amount of the vertical portion. Gregory is looking now at a set of wolf-like prints that are in the mud. These prints lead into the woods. His hair is still being blown around from the wind.
Gregory: Hmm...
Panel Two: This panel takes up the rest of the page. It's an overhead shot of both the front and back yards, the house in the center (destroyed doors and windows.) Gregory walking towards the woods (which surround all but the front entrance of the estate, where Martin's body is.) The yard is strewn with the bodies and blood of many dead wolves. The fancy shmancy "END CHAPTER" should be in the lower right corner of this panel.

[Kriven]

Page One; Full page. Another cool looking picture of the artists choice here. Make sure "CHAPTER 3" is on it.

Page Two
Panel One: Another full page panel. Eric is tightly holding Aerin so she doesn't collapse from exhaustion and blood loss. Aerin is latched onto Eric for stability. Aerin is still covered in blood, bruises and scratches like in the last chapter's ending panels. Her clothes are still tattered and torn. The overall look here, makes it seem as though the two are hugging each other. Make sure this is from behind Aerin, so you see her back. They're still in the forest, so foliage should be in the scenery as well as the massive tree from earlier should be behind the couple.

Page Three
Panel One: In this panel we see that Aerin is really drinking from Eric's neck once more. The same exact spot she had previously bitten. Her eyes are closed and tears have formed beneath her cloes eyelids. She doesn't enjoy drinking people's blood.
Panel Two: Eric's face is the most of this panel. There's some plants and foliage in the background, since they're still in the forest and all. Aerin's head should also be seen a bit, as their heads are basically touching. Eric's in pain, and it shows on his face.
Panel Three: Aerin unclamps her teeth from Eric's neck, her expression is sad with tears still forming in her eyes. Quietly she whispers.
Aerin (Whispering): I'm sorry...
Panel Four: Uses the remainder of the page. A last werewolf emerges from the foliage to the left of Eric. The wolf's mouth is open, and it's claws are ready to slash. Aerin is too exhausted to do anything. Eric and Aerin remain in their hug-like grasp, pulling each other tighter as they stare at the wolf in despair.
Wolf Sound Effect: Rrrrrraaaaahhhh!!!

Page Four
Panel One: Eric and Aerin still grip each other tightly, and slam their eyes shut as they brace for the impact and the pain. This panel should be sideways and spanning the width of the page.
Panel Two: The wolf begins to descend upon the pair but a bullet peirces it's chesr and blasts through it's back. Blood is sent into the air from both sides of the wound. The wolf is still as if it was about to strike, it's claws ready but it's face twisted in pain. Aerin and Eric are still huddled in a corner of the panel, preparing for death.
Sound Effect: BLAM!

Page Five
Panel One: A full-page panel yet again. Gregory stands there holding his silver handgun. His gun is pointed upwards a bit, since he was aiming at an airborn target. Smoke rises from the mouth of the gun. Dense forest foliage is behind the man.

Page Six:
Panel One: Eric is still clutching Aerin, who is too weak to turn around or really even move on her own right now. Eric stares before him with a stern expression on his face.
Eric: Who are you?
Panel Two: Greogry stands infront of the same foliage from page five, his gun is now unseen, and he instead holds a cigarette and a lighter. He holds the lighter to the cigarette, lighting it with the small lighter flame.
Gregory: I, am Gregory.
Panel Three: Gregory has lit the cigarette and placed it in his mouth. A steady stream of smoke rises from the lit end of the tobacco stick.
Panel Four: An overhead view of the area with Eric and Gregory having a bit of a stare-off. The dead body of the werewolf whom attacked Eric and Aerin is off to the side surrounded by it's own blood. Wind causes the forest foliage to russle.
Sound Effect: Whssssh.

Page Seven
Panel One: Gregory pulls out the cigarette from his mouth and breathes a puff cloud of smoke into the air. Though his head is turned sideways a bit, as people turn when they blow smoke, his eyes are still fixed on the POV.
Gregory: I've already arranged for the transportation of humans. However we'll have to restrain your vampire friend before she can be brought along.
Panel Two: We see Eric from behind with Aerin in a state of half-sleep. Aerin is resting her head on Eric's shoulder, and the two still hold each other though loosely. Gregory stands in the background, returning the cigarette to his mouth.
Aerin (weakly speaking): Not a vampire...
Panel Three: Gregory pulls the cigarette from his mouth once more. This panel is very similar to the first panel of the page.
Gregory: Well, whatever she is, we can't risk transporting her without restraints.
Panel Four: Eric still holds Aerin. His face shows obvious signs of anger towards Gregory. They are still in the forest, so don't forget to be putting foliage in some of these backgrounds.
Eric: Restraints?! What the hell do you think she's capable of?!
Panel Five: A zoom up of Gregory's eye. You can tell even from just this shot of his eye, that he's losing his patience. He's very stern in his expression. He also wears wrinkles from years of weariness.
Gregory: Restraints or death. Choose.
Panel Six-Seven: Panel Six displays Gregory's cigarette has been tossed to the ground, smoke still rising from it. Panel Seven shows Gregory stomping out the smoldering cigarette with his shoe.

Page Eight
Panel One: A longer panel that takes up the width of the page, but it's not as tall as other panels. Aerin is wrapped in a straight jacket styled restraint and Eric (unrestrained) is sitting beside her. They're in a car on a bench-like seat, sitting infront of a black (it's tinted) window. Both of them look rather annoyed.
Panel Two: A panel similar to the one above it, though this one shows Gregory with another cigarette in his mouth. Smoke rises from the lit end of the cigarette. Gregory is looking towards the right, and this time so is his gaze.
Panel Three: A larger then average panel, taking up the same width as the upper two panels, but it's tall enough to use up most of the remaining page. This panel has the camera closer to the floor and it shows all three people in the bck of the van. You can even see the doors at the back of the van that go outside. The three occupants sit on long chairs, Gregory is directly across from Aerin. Long black windows are behind all the occupants.

Page Nine
Panel One: A panel about the same size as the bottom panel of Page Eight. This panel shows the van from the outside, which is pure black. It's driving through a large city, with many buildings around and people go about their daily activities.
Panel Two: This panel is the same width as average panels but tall enough to fill in the remaining vertical panel space of the page. The panel displays the driver of the van, Joseph. Joseph is eating a burger as he drives through the city, the drivers side window is rolled down and Joseph smiles.
Eric (Off-Screen): So...
Panel Three: This panel is as tall as Panel Two, but long eough to match with the rest of Panel One. It displays Eric facing the reader, and everything to HIS left (the opposite side of where Aerin is sitting, Aerin is not in this panel.)
Eric: ...What kind of organization are you guys again?

Page Ten
Panel One: Gregory turns towards the POV, which is the same direction that Eric is sitting. He is rubbing out his cigarette in an ashtray to his left. This panel is fairly large as well, in fact it's the same size as the one large one on Page nine.
Gregory: I've told you already. I can't give you too many details about what we do. All you need to know is that we hunt the paranormal.
Panel Two: A long panel as tall as the lower panels of Page Nine. This shows Eric and Aerin, with Aerin being closer to the POV. Eric looks slightly angered at the answer he didn't entirely get, and Aerin is still annoyed by the restraints.
Gregory (offscreen): We're here.

Page Eleven:
Panel One: A fullpage panel yet again. The main focus of this page is the large several story tall building. You can see the grounds before the building, which consist of a hedge-maze styled parking lot with a fountain on either side of the main road leading into the parking lot. The black van is pulling in from the main road, which is a skinny strip of road that heads to the bottom of the panel.
Text In Panel: North Star East Coast US HQ

Page Twelve
Panel One: Another longer panel like the one from Page Ten. This shows Gregory at a sort of angle, with the POV being lower to the ground, but not enough to see him from the waist down.
Panel Two: The back doors swing open, and sunlight pours into the van. The silhouette of Joseph can be seen as the one who opened the doors.
Joseph: We're here.
Panel Three: Aerin is seen as the one further back in this panel, and she's attempting to shielf her eyes from the sunlight, though her arms are resrtained. Eric is the closest to the POV, with Gregory somewhere in the middle. The POV here is as if you're looking into the van from the back doors.
Panel Four: Seen from behind Gregory. Joseph is seen beckoning for Eric to climb out of the van, and Eric has slowly begun to do so. Aerin is still trying to crawl as far into the van as she can, still attempting to shield her eyes from the sudden bright light.
Joseph: Come on! Come on! Don't be nervous! I'll make you some lunch later!

Page Thirteen
Panel One: The scene changes from the van to just inside the HQ building. This frame is set as if you were looking outside. The doors have begun to slide open, revealing Gregory who is standing beside Eric and Joseph behind those two, carrying the restrained Aerin. Sun filters in from the sides of the door, and some of the parking lot can be seen behind the group.
Panel Two: An overhead panel showing the four as they enter the building. The rest of the lobby is pretty plain without decor. Potted plants rest on either side of the two elevators on the opposite side of the room from the entering group.
Gregory: Joseph, take that girl to a Secure Chamber, she isn't human and could be a potential threat.

Page Fourteen
Panel One: Eric is enraged, and he openly displays it. He balls his fists, yells loudly, narrows his eyes, readies himself to chase. Gregory stands in the background, watching Eric's angered reaction. Gregory's expression is calm and his hands are in his pockets.
Eric: NO! SHE'S NOT A THREAT! BRING HER BACK!
Gregory: Calm down, and from what you told me you only met her a few hours ago. We need to make sure she isn't a real threat.
Panel Two: Eric turns angrily towards the POV (which is in the direction where Gregory is) his expression and posture still showing signs of anger and hate.
Eric: If she were dangerous, she would have eaten me back there instead of just biting me!
Panel Three: Gregory turns towards Eric, his expression now stern.
Gregory: Yes, and you're lucky we don't lock you up until we can prove that she hasn't transformed you into anything.
Panel Four: Eric thinks about what he was just told briefly, his expression begins to soften a bit as he realizes that what Gregory has sad makes a bit of his sense. His fists begin to loosen.
Panel Five: Eric turns to look away from Gregory.
Eric: Tft.

Page Fifteen
Panel One: Aerin struggles against Joseph, squirming around in his arms. She is still restrained in the straight jacket device, however. Joseph is carrying her down a hall, towards a large door with a label "Security Chamber D" above the door. This view is from behind Joseph.
Aerin: Lemme go! Lemme go!
Panel Two: This panel shows Joseph from the front. Aerin is still squirming, with her eyes squeezed shut and her teeth grit together as she tries to break the restraints. Joseph smiles as he answers her cries.
Joseph: Calm down girl. If what your friend says is true and you aren't dangerous we'll let you go home with him in just a few weeks.
Panel Three: Behind Joseph again. He stands before the doors to the Security Chamber D which slide open as he approaches.
Joseph: So just be good for a while...

Page Sixteen
Panel One: Full page panel. Aerin is left alone, still restrained, in a room of almost all darkness. The only bit of floor to be seen is the one she sits on. Put the fancy "End Chapter" in the lower right of this panel

[Kriven]

Page One
I do have a bit of a request here. I want Eric to be the only character seen on this chapter introduction page, and I'd rather it was a darker image. As always, "Chapter 4" should be displayed somewhere.

Page Two
Panel One: Gregory stands behind a wooden office desk. He faces towards the left side of the panel, a black corded phone is pressed against his left ear. His expression is very, very serious. The cord of the phone is spiral-styled, and connects to a base which is also black. The base of the phone rests on the wooden desk, also on the desk is a picture frame containing a picture we cannot see, due to it being turned towards Gregory, and an office lamp. Wall-sized windows that allow the sun to illuminate the room make up the area behind Gregory.
Gregory: Yes President McInnis, I understand.
Panel Two: We don't see Gregory's face in this panel. The POV has now been switched to Gregory's side of the desk, so we're looking into the room. We can also now see the photo on Gregory's desk, and we can barely make out three figures in the photo. On the other side of the desk we see Eric sitting in a chair. His face now shows a mixture of panic, confusion, concern and a dash of residual anger. Gregory is hanging up the phone, so that should be returned to it's dock with a little sound effect. We can also see two other walls of Gregory's office, one on the left side of the panel, this is one of the side walls of the room. We can also see the front wall of the room in the way back, behind Eric. On the back wall is the door leading to the hall, on the side wall is the North Star insignia flag.
Sound Effect: Click.
Panel Three: Gregory has turned around to look out the window. This panel should be seen from behind Gregory.
Gregory: Due to your house being nearly destroyed last night, and the fact that there may still be werewolves and the like watching it, you are to remain here until we can relocate you. I will send a team to recover your parents and any of your posessions that may not have been destroyed.
Panel Four: Eric is getting out of his chair to begin to leave while Gregory continues to stare out the window wall, his hands folded behind his back.
Gregory (Off-Screen): My secretary Hitomi will show you to your room... I'll be in to speak with you later for further details of the account.
Panel Five: Again showing Gregory from behind as he stares outside, we hear Eric leaving and finally closing the door.
Sound Effects: Tmp. Tmp. Tmp. Klik. Klak!
Panel Six: A shot of the photo from before. In the photo we see a young Gregory. Beside him are two other people, one a female with longer hair and one a male with shorter hair. They are both around Gregory's age in the photo.

Page Three
Panel One: A longer, thinner panel using the width of the page. Most of the panel is pure black darkness. In the center of the panel we see Aerin sitting down. She is still restrained. We see her from behind.
Panel Two: A larger then average panel showing the back of Aerin from just below her shoulders up. We also see the darkness of the room around her. Her ear flicks as she hears the door open.
Off-Screen Sound Effect: Click.
Panel Three: Joseph walks into the room carrying a tray. On the tray is a bowl with a spoon handle poking out of it, a half-filled glass and a lump of bread. Joseph wears his usual happy expression. Behind him is the doorway from which he entered, which due to the lights in the hall clashing with the utter darkness, looks like a rectangle of light.
Joseph: It's time to eat little creature girl.
Panel Four: Aerin turns her head to face away from Joseph. We see her face now, her expression is very, very sad.

Page Four
Panel One: Joseph frowns. His face shows concern for Aerin, Joseph is a kind-hearted man. Behind Joseph we can see that the door has begun to close, only a small sliver of light remains.
Panel Two: Showing Aerin from a side-view as Joseph approaches her. She has turned her gaze to the floor instead of the wall, so that we may see her saddend expression. This panel is somewhere on Joseph's side of the room, so make sure we see him from BEHIND.
Joseph: Come on. I made it myself!
Panel Three: This panel shows the other side of Aerin, with Joseph in the background. This is close enough to Aerin that you can't see her feet, and Joseph towers over her from behind, though his face still shows obvious concern. Aerin is still sitting down, staring at the floor.
Panel Four: Joseph kneels down, and places the tray of food on the floor beside Aerin.
Sound Effect of Tray: klak.

Page Five
Panel One: A larger panel taking up a large amount of height and width. Joseph is walking back to the other side of the room while Aerin is still sitting on the floor. Joseph's expression remains the concerned one, Aerin is still sad.
Joseph: Coming out!
Panel Two: A panel showing the food . We see that he had made her some kind of vegetable and meat stew. Steam still rises from the bowl, indicating it's recent cooking.
Panel Three: A more directly look at Aerin. We see that her expression has softened slightly, though still very sad...

Page Six
Panel One: This panel is also a larger one. It displays Eric's new, very plain room. There's the walls, the cieling, all are bare. A dresser and a bed are the only furniture in the room, both consist of sturdy wood.
Hitomi (Off-Screen): Well, here it is!
Panel Two: Hitomi and Eric both look in the room from the doorway. Hitomi has the door held open while Eric has started to enter the room. The door swings out, into the hall, instead of into the room. This should be seen from inside the room facing the two.
Hitomi: Wow... It's dull....
Panel Three: This panel shows Eric just inside the room as Hitomi has turned and begun to leave. Both of them will be speaking here. Also, this should be seen from the hallway looking into the room.
Eric: No, it's alright. Thank you for showing me where it is.
Hitomi: No problem.

Page Seven
Panel One: Anastasia stands amongst the destroyed Sterlite home. close to the POV, we can see a bloodied and torn arm. The arm is attatched to the body, of course, but try to show only enough of the dead corpse to show the readers that the arm isn't severed. Make sure no heads or faces are seen. A soldier stands behind Anastasia, listening to her orders.
Anastasia: Tell Gregory the situation. Tell him that we'll try to recover as many possessions as we can. However the parents...
Panel Two: A closer look at Anastasia so that she is the only character in the panel. Her wind blows slightly in the wind. Unlike in the last panel her face shows sadness for the Sterlite's.
Panel Three: Two soldiers are running towards Anastasia. Their faces where expressions of panic. They try to catch their breath as they keep running, shouting towards their commander. One soldier is chubby while the other is tall and thin.
Chubby Soldier: Commander! We're being surrounded!
Anastasia: Huh?!
Panel Four: An overhead shot of the area. We see the two bodies of Mr. and Mrs. Sterlite, though their faces remain obscured. The group of soldiers, about six in all are surrounded by wolves from every angle. From here we can see that the Sterlite residence has been completely destroyed, though by what we don't yet know. End chapter one page somewhere.
Anastasia: Mathew! Andrew! Everyone! Arm yourselves! Don't die on me! You there! The one I talked to earlier! Call for back up! NOW!

[Kriven]

Page One: As usual, the picture is up to you. I would like if you included Marco in it, but you don't have to. Chapter 5.

Page Two
Panel One: Marco and three gang members sit in an alley between two brick buildings. They have brought a lantern with them, from which to see. They're playing some card game, and two of the three gang members are smoking joints.They sit on various objects, trashcans and crates. They are using a crate as a table for their cardgame, which also acts as a resting place for their bottles of beer.
Gang Member: Hey, did you hear about that Sterlite kid who vanished after his house was destroyed?
Gang Member 2: Yeah, didn't he go to the local school?
Marco: Yeah...
Panel Two: A solo shot of Marco, holding his hand of cards. He's not smoking a joint and he sits on a dumped trashcan. He stares at his cards, his expression somewhat sad.
Marco: ...I knew him...
Panel Three: Two of the gang members are talking to each other while Gang Member 2 from Panel One sits on a crate as the focus of the panel. His expression is terrified. Sweat drips down his face and his eyes are widened.
Gang Member (whispering to GM3): Change subject?
Gang Member 3 (Whispering to GM): I dunno.
Panel Four: Gang Member 2 has disappeared off-screen. This panel is seen from behind his now empty sitting spot. with Gang Members 1 and 3 as well as Marco looking nervously and terrified in the direction of the create. We can tell from the sound effects, that something has attacked Gang Member 2.
Sound Effect: SLLLSSHHH
GM2 (Off-Screen): AGH!
GM3: Wh-What the hell?!

Page Three
Panel One: A large werewolf stands in the shadows behind where GM2 once sat. Blood drips from the creatures mouth and claws. It glares viciously towards the POV. It's lips are curled back in a snarl, revealing it's fangs. At it's feet is the crumpled and torn body of GM2. Blood covers the area, including the back of GM2's crate.
Panel Two: The creature leaps across the the alley. It has grabbed onto GM3, tearing him with it's claws and forcing him downward. It's mouth is wrapped around the gangsters head and blood splurts into the darkned alley night. GM1 is closest to the POV and he stands up holding a handgun out infront of him. A spark at the end of the gun and bullets blasting through the air signify that the gun is being fired. Marco has fallen off his seat from startlement and fear.
Sound Effect: BLAM! BLAM! BLAM!
GM1: DIE!
Panel Three: Marco is still on the ground while off-screen GM1 is slaughtered by the wolf. The gang members blood, as well as his gun, slide across the ground towards Marco. His head is turned nervously down towards the gun.
Sound Effect: SLLSSH!
Panel Four: A closer look at Marco. He is now looking upwards, his face has fear painted all over it.
Panel Five: The werewolf is the only character in this panel. He is leaping through the air, looking down at the POV. His eyes are hidden by shadows, and his mouth is opened. Blood and saliva fall from his fangs. Behind him the moon in the starry sky can be seen, as well as the two buildings bordering the alley.
Sound Effect: Rhhhaaaaaa!

Page Four
Panel One: A shot of the outside of the North Star HQ building. We can eve see the top of the roof in this one. It is now a bright, sunny morning.
Digital Panel Text: Next Morning
Panel Text Line 2: North Star East Coast USA Division HQ
Panel Two: Eric sits at a long glass coffee-table styled table. A plate of eggs and bacon before him, he munches on a piece of toast. The chair Eric sits in is office-styled, cushions and all. His face is rather dull, he does not yet know what happened to his parents.
Panel Three: Gregory walks in, carrying a mug of coffee. This panel shows us a greater view of the dining hall. The glass table stretches for a long distance, with rows of chairs following it. More wall-sized windows allow the morning sun to filter into the dining hall.
Gregory: How'd you sleep?
Panel Four: Eric doesn't look up at Gregory. He begins to poke at his bacon and eggs a little, while not removing his gaze from his plate.
Eric: Alright I guess... They're dead aren't they?
Panel Five: Gregory stops, for a brief moment, he shows some sorrow for Eric. A brief glimpse of care. And for once, he doesn't know what to say.

Page Five
Panel One: Gregory sits down in the chair across from Eric.
Gregory: Yes, they were killed by the wolves...
Panel Two: Eric says nothing, he continues to look at his plate and play with his food.
Panel Three: A zoomed out shot, showing a portion of the hall, and Gregory looking at Eric.
Gregory: Listen, Eric. I'm sorry about your parents but I need you to do me a favor.
Panel Four: Eric shows no signs that he heard Gregory at all, still staring down at his plate.
Panel Five: A shot from behind and above Eric's head, showing Gregory as he speaks with the boy.
Gregory: Through chemical analysis we were able to figure out what Aerin is. We believe she could help us locate the other Wolfites, as well as assist in tracking the werewolves, but she refuses to aid us in any way. I need you to convince her to help us.
Panel Six: Though Eric doesn't look up from his plate, he does respond to Gregory.
Eric: Will she be considered a non-threat and allowed to freely move around?

Page Six
Panel One: Gregory is considering Eric's question trying to think of an answer. He sips some of his coffee as he thinks.
Panel Two: Finally he has reached a decision, Gregory looks at Eric very seriously.
Gregory: She will no longer be confined. However, she is to always be monitored by yourself or an official agent of North Star. Do we have a deal?
Panel Three: Eric looks up from his food.
Eric: Yes. We do.
Panel Four: The two reach over the table and shake hands, confirming the agreement.

Page Seven
Panel One: Eric walks down the hall towards the Safe Chamber. Joseph is position outside the door, acting as the current guard. He smiles as he sees Eric approaching. Eric himself, is somewhat lost in thought, and is feeling pretty grim right now. He manages, however to return a nervous smile.
Joseph: Good morning!
Eric: Yeah.
Panel Two: As Eric walks by Joseph to enter the room holding Aerin, the large man asks a request of Eric. He leans forward and puts a hand to oneside of his mouth, so that only Eric may hear.
Joseph: She hasn't eaten anything since she arrived. Could you convince her to at least nibble on some toast?
Panel Three: From behind Eric we can see the room of darkness. Aerin sits with her back to the entrance door. She faces a wall of darkness across the room, exactly the same way she had sat when Joseph tried convincing her to eat. A tray of food rests on the hard floor, completely untouched.
Panel Four: A wider panel. Eric stares across the room towards Aerin, his expression is very grim. The doorway behind Eric has slowly begun to close.
Door SE: Vvvrrrrr
Panel Five: The POV is set so it's like we're in the wall that Aerin is staring at. We see Aerin, her unchanging expression of sadness and deprivity. Behind her is Eric, making his way across the room with his gaze more towards the floor then to Aerin. Onle a sliver of light signifies that the door remains slightly open.
Eric: Aerin...
Eric (New Bubble): Why are you starving yourself?
Panel Six: An overhead shot of the dark room and it's two current occupants. Eric has crossed just over half the distance between him and Aerin.
Aerin: Though your food tastes good, it does not contain the nutrients my body requires. Besides... I'm not hungry.
Panel Seven: Another shot closer to Aerin with Eric in the background. Aerin's stomach has let out a very defiant growl and her expression is now one of surprise and embarrassment. She blushes slightly. Eric can't help but smile a bit. He's now a mere arms length away from her.
Aerins Tummy: RRRRRMMMBBBBB!

Page Eight
Panel One: Eric has finally walked across the room completely. He is in the process of sitting down besides Aerin. His expression is still that happily amused smile he got when Aerin's stomach rumbled.
Eric: It sounds like your hungry to me.
Panel Two: Aerin's face still shows an embarrassed expression and blush. Eric is now sitting beside her, with his knees slightly bent. His expression is still one of amusement.
Panel Three: Aerin turns to look up at Eric's face. Even sitting, he is taller then she. She still blushes slightly with remnants of embarrassment left on her face. Now her dominant expression is a questioning one. Eric nods his head "yes."
Panel Four: Eric doesn't resist as Aerin now feeds from his neck. He does show some signs of pain from having two sharp teeth dug into his neck, but it's not as much pain as when she first bit him in his home. His arms, however, still jerk upward upon the initial puncturing, and his body grows tense. This panel should show Eric from the front, with Aerin twisted from her own sitting position to drink from his neck. Her arms are wrapped around Eric's neck and head slightly, restricting them so that he would not suddenly break away from the initial pain.
Panel Five: A slightly modified panel four. Eric has now placed his arms on Aerin's back reassuringly. The most notable difference, however, is the static-look and the wiggly lines that now plague this panel. We are now watching the two from a television set.
Panel Six: We now see none-other than Gregory as the one watching from the cameras. He is in a laboratory, where one of the walls is a series of TVs set as cameras that show the room holding Aerin. Gregory is watching these tvs. Also in this panel is a scientist standing before a filing cabinet with one of the drawers pulled out.
Gregory: Professor Jacobs. He isn't going to turn into a Wolfite from her bites, is he?

Page Nine
Panel One: The scientist, who's name we have just discovered to be Professor Jabos, is busy digging through the contents of the filing cabinet. The contents are many manilla folders with pages of information inside.
Jacobs: No, our analysis shows that she is not potent enough to completely mutate somebody. However...
Panel Two: Jacobs turns towards Gregory, looking at a folder which is opened in his hands. He reads the information in the folder.
Jacobs: ...Our analysis of the boys blood, from the sample we took after you had questioned him, shows slight mutation in several cells in his body, including blood, skin and hair cells. Though the mutation wasn't enough to physically change him, we believe some of the instincts may have been transferred to him, such as the desire to protect his creator wolf.
Panel Three: Gregory brings hand to his chin, rubbing it as he thinks. His expression keeps it's usual serious tone however blends it with a thoughtful expression.
Gregory: Does this explain his loyalty to her despite their short time together?
Panel Four: A door at the other end of the room bursts open and a man in suit rushes through it. The man is shouting at Gregory urgently. Gregory's focus is broken and Jacobs turns towards the suited man curiously.
Man: Captain Gregory! One of our scouts has sighted to wolves near James Street! He believes one of them to be Napoleon!
Panel Five: Gregory turns to face the man. His expression is one odd for him. It is fearful. Gregory is the only character seen in this panel.

Page Ten
Panel One: We return to Marco now, and discover that he was not killed. He is no longer in the alley, however, but in some sort of warehouse. The ware house is filled with stacks of large crates. Large windows line the walls close to the ceilings. Marco has one of the crates opened. The wooden lid of the crate lies on the cold floor. A crowbar is propped up against the side of the crate that he opened with it. Marco digs around inside the crate, which is full of guns and grenades.
Marco (Thinking): That creature killed them! I barely escaped myself...
Panel Two: Is a very large panel, occupying the center space of the page, showing Marco blasting the gun that slid to his feet. The bullet is seen blasting through the other side of the wolf as it was in the air as seen at the end of Page Three. Blood splurts from the wolf's wound into the air. Marco's expression is panicked, it's horrified. His mouth is agape, sweat trickles out of pores, a tear slides from the corner of his eye. Remember that this is a flash back, so make it kind-a fuzzy and faded.
Sound Effect: KABLAM!
Panel Three: Back in the present time. Marco has pulled a chain of grenades from the crate. He holds it up, looking at it, though his mind looks elsewhere. His expression is a sad, lonely one.
Panel Four: Marco stares up at the cieling. His hands ball into fists and his muscles stiffen up. Tears swell up and slide off his cheeks as his mouth is open in his scream. His cry.
Marco: WHY?!

Page Eleven
Panel One: Napoleon and a newer, smaller wolf stand atop a building. Napoleon is standing on the cement safety wall, his scarf swishing around in the wind. The young wolf cautiously approaches Napoleon to ask a question.
Young Wolf: Sir, why are we out in broad daylight?
Napoleon: To study the terrain before the war. Follow me.
Panel Two: A large panel looking from the ground into the sky. On the left side of the panel we see the large building that Napoleon and the wolf stood on. Now we see the large silhouette of Napoleon as he leaps into the air, towards a building on the right side of the screen. People walk in the streets, but not one seem to notice the wolf overhead. A street sign attatched to a lamp post says that this is, in fact, James Street.
Panel Three: Napoleon lands easily on the other rooftop. In the background is the building he once stood on, and close behind himself is the young wolf, also leaping through the air, to meet his mentor.
Napoleon: Isaac, you will be the one to avenge our fallen allies. Your fang will draw their blood...
Panel Four: Napoleon stands strongly on the left side of the panel. His hands are curled into powerful fists and we do not see the upper portion of his face, only the lower-mouth down. Isaac lands on the cement safety wall of this building, one foot on the wall, the other still in the air behind him. One of his arms clasps the wall for support while the other is bent to rest on the knee of the leg on the building.
Napoleon: ...And the blood of anyone who intervenes!

Page Twelve
Panel One: And for the very first time since the very beginning of the story, we see Ivy. She is dressed as she was when the story began. She sits at a table in a library. A book rests on the table, open and her elbow is also on the table, with her arm bent up and her hand resting on her hand. Her expression is somewhat bored.
Panel Two: This panel is seen as if we were looking across the table at her. We can see behind her, the librarian behind her check-out counter. On either side of the librarian's large, round desk is a set of stairs, one goes up and the other goes down.
Panel Three: This is exactly like the second panel, however there are no background elements, only Ivy (including whatever portion of her was cut-off by the table.) The panel is inversed, so that all the fill is in black and Ivy's outlines are white. Her eyes have grown wide, and she can hear a single beat of her heart.
Sound Effect: DA-DUN!
Panel Four: Ivy's attention has been drawn from her own book. Instead she looks at a book that has appeared on the desk before her. This panel is set low to the table, with the book closer to the POV and looking up towards Ivy's face. The book itself is old with black covers. Fancy cursive writing and swirls decorate the cover and binding. The cursive should say "IVY."
Ivy: A... book?

Page Thirteen
Panel One: A panel showing that it has now become night. The moon, the stars, a few night clouds. This panel specifically shows the sky. However it is actually the top portion of a larger picture, the bottom portion makes the panel below.
Panel Two: This panel is the bottom half of the night sky. Here we see the North Star facility, and the usual black van leaving it.

Page Fourteen
Panel One: Inside the van we see Gregory in the passengers seat, Joseph driving with his usual happy expression, and in the back seat are Eric and Aerin. Eric looks ahead, while Aerin looks out her window. Gregory's face is EXTREMELY serious as he explains the situation to the two.
Gregory: We're going to search for two werewolves. Aerin, we'll need you to track them using your heightened senses. There is a large one and a smaller one. Leave the larger one to me, as I'll need to exploit the werewolves natural allergy to silver to kill him. Eric, the gun I gave you should be sufficient for the other one.
Panel Two: Gregory turns around in his seat to look directly at the two he has brought with him.
Gregory: However, it's possible the wolf inherited some of the bigger one's strength, assuming the bigger wolf, Napoleon, was the one to bite the other one. Since Napoleon was the only wolf seen with the younger one, it is likely that he was tutoring him and that this is the case. Be careful, your gun may be inneffective.
Panel Three: Aerin looks startled at the thought of actually seeking a wolf she won't be able to easily slaughter, and Eric is combined with hatred and fear. He doesn't know how to react, so he instead, looks sternly before him.
Gregory (Off-Screen): So stay close, and don't die!

Page Fifteen
Panel One: We see a cell from under a microscope. The cell is not smooth however, but slightly jagged.
Jacobs (Off-Screen): What? No!
Panel Two: A zoom out now, Jacobs is peering into the microscope. His eyes widen and a small bead of sweat begins to slide down from his forehead.
Jacobs: This can't be!
Panel Three: Jacobs walks across the lab table, which has various slides and supplies set on it, to a second microscope, which he then peers into. This microscope has a label next to it "Wolfite."
Panel Four: The microscopic view of the Wolfite cells. They are more jagged then the other one, but otherwise the two are identicle.
Jacobs (Off-Screen): No... I was wrong...
Panel Five: An interesting panel, as if we're inside the microscope looking up into Jacobs eye, which is staring back at us.
Jacobs: At this rate.. the boy will....

Page Sixteen
Panel One: Aerin sniffs the air, searching for the scent of werewolf. Her face is cute and slightly chibied, but definitely with a series expression. Slightly defiance shows on her face, in her frown, but she does her job anyway.
Nose sound effect: Sniff. Sniff.
Panel Two: Aerin points towards a dark alley between two large, brick buildings. The alley is across the street from where the three are, and traffic busily zips along the road.
Panel Three: Having crossed the street, they stand peering into the dark alley. This panel is set as if we were in the alley and watching the three. Gregory is infront, his gun drawn, with the two younger ones behind him, trying to see past him into the alley.
Gregory: I'll go first.
Panel Four: Looking into the alley from behind Gregory, he takes a few cautious steps with his gun ready to fire at anything that moves. In this panel we see that the building on the left has a black fire-escape
Panel Five: Now we see Gregory's face, and his serious expression.
Panel Six: A panel that's kinduv slanted. Gregory takes another step further into the alleyway, the two younger people begin to follow him very cautiously.

Page Seventeen:
Panel One: A larger panel building the upper-half of the page. Gregory turns his head slightly to look over his soldiers and speak with the other two. His expression is now one of annoyance.
Gregory: I don't see anything... Are you sure they're here?
Panel Two: Suddenly a trash can slams into Gregory, thrown from further within the alley. He takes the can just below the chin, and it sends him into the air, dropping his gun.
Sound Effect: KLANG!
Gregory: Ugh!

Page Eighteen
Panel One: A figure steps out of the darkness, it is the younger wolf from earlier, Isaac. He is looking directly ahead of him {towards Eric and Aerin, who are near the POV and unseen} half of him remains in shadows.
Isaac: You killed our men earlier... I am tasked with killing you, Wolfite.
Panel Two: This is seen as if we're beside Isaac. We look at Eric and Aerin, Aerin's expression is one of angered disgust. Eric is also angered, though he is more concerned for the downed Gregory, who lies at their feet, unconsience. Aerin's fingers are spread and tensed, her nails have grown slightly larger. Her mouth is slightly open, revealing small fangs. She is ready to lunge forward.
Panel Three: Aerin rushes into the alleyway, her arm growing furrier and stronger, like before. Claws extend from her fingernails. Her eyes are narrowed, and the pain of the transformation forces a scream out of her as she rushes forward.
Aerin: YAAAAHH!
Panel Four: Aerin swerves up, to slice at Isaac while she's only half-transformed. She doesn't scratch him in the least, but a quick downward swipe from his own claw slices Aerin. Blood splashes into the air. This panel should be filled with motion blurs showing the movement Aerin took in getting to Isaac, and then a motion blur showing Isaac going from his earlier stand, into his "after slice" crouch.
Panel Five: Aerin falls to the ground on her knees, slowly reverting what little of her was transformed. We don't see her eyes, they are blocked by Isaac's leg. Her mouth, however is opened and a little fang is seen in the upper left corner, blood trickling from the lower right. Her arms hang limply at her sides and there is a gash stretching from her torso up through her chest (no, no ecchi.)
Eric is in the background here, his expression seemingly... well, he's... in despair.

Page Nineteen
Panel One: Isaac looks towards Eric, Aerin's body now crumpled at his feet. She is surrounded in her own blood. Isaac is slightly hunched, with his wrists bent so his arms hangs down a bit.
Isaac (Thinking): Eric...
Panel Two: A closer look at Eric's despair. Simply like a zoom of the last panel of Page Eighteen, only this panels shows only Eric.
Panel Three: Now a zoom-up of his eye, his horrified eye. His sad eye. His scared eye. His...
Panel Four: A clone of panel two except that now his eye has changed slightly. Longer, thinner. Slanted, hatred, anger. Fury. Rage.
Panel Five: We see Eric, zoomed out once more. His ears have grown slightly, his hair becoming longer. Fangs grow into his opened mouth. His nails begin to grow to points. His eyes bulge wide, the pain is intense. Fur begins to grow in patches along his body.
Eric: AAAAAAGGGGGHHHHHHHHHH!!

Page Twenty
Panel: A full shot panel of Eric, in his completed wolf transformed state. His eyes seem to have lost their humanity, they have nor iris, no pupil. His mouth is twisted into a horrible grin-like form with his fangs bared. Saliva drips from his mouth. He is slightly hunched, and his claws are ready to slice and dice. He glares before him, to the off-panel Isaac. Gregory still lay blacked out on the ground.


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